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Four cultural critics give their perspectives on the growing commercial exploitation of nostalgia in entertainment, fashion, and consumer culture.

The Nostalgia Industry

The sheer volume of reboots, remakes, and revival tours that now dominates the entertainment landscape is not merely a passing trend but a symptom of a culture that has lost confidence in its capacity to generate the new. When the most anticipated releases of any given year are sequels to franchises that originated…

  • Which critic shares Critic A's view that the prevalence of backward-looking cultural products is indicative of a deeper malaise in contemporary creative life?
  • Which critic has a different opinion from the others about whether consumers of nostalgic content are making informed, voluntary choices?

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